Curated Paintings & Drawings — framed studies and reproductions inspired by masterworks.

About Iconic Canvas Expose

Iconic Canvas Expose specializes in renting rare, unique reproductions of master artworks — from Picasso and Van Gogh to Klimt. Each piece is a carefully framed study or drawing, available for short‑ or long‑term display. Ideal for offices, events, or private interiors, our service combines art history with contemporary presentation.

Paintings

Numbered gallery (#22 works). Click an image to open the lightbox.

Picasso — Woman with Straw Hat (1939). Energetic portrait; bold colors and Cubist deformation.
Painting #1 — Picasso — Woman with Straw Hat (1939). Energetic portrait; bold colors and Cubist deformation.
Van Gogh — Vase with Crown Imperial Fritillaries (1887). Vivid still life with intense brushwork.
Painting #2 — Van Gogh — Vase with Crown Imperial Fritillaries (1887). Vivid still life with intense brushwork.
Picasso — Seated Woman against Red Background (1938). Geometric structure, strong contrast.
Painting #3 — Picasso — Seated Woman against Red Background (1938). Geometric structure, strong contrast.
Gustav Klimt — Rider on Horseback (1901). Decorative symbolism with gold accents.
Painting #4 — Gustav Klimt — Rider on Horseback (1901). Decorative symbolism with gold accents.
Picasso — Les Demoiselles d’Avignon (1907). Pivotal modernist work; angular forms.
Painting #5 — Picasso — Les Demoiselles d’Avignon (1907). Pivotal modernist work; angular forms.
Van Gogh — The Starry Night (1889). Swirling night sky, expressive motion.
Painting #6 — Van Gogh — The Starry Night (1889). Swirling night sky, expressive motion.
Van Gogh — The Red Vineyard (1888). Harvest scene in blazing reds; the only lifetime sale.
Painting #7 — Van Gogh — The Red Vineyard (1888). Harvest scene in blazing reds; the only lifetime sale.
Van Gogh — Starry Night Over the Rhône (1888). Romantic night; city lights on water.
Painting #8 — Van Gogh — Starry Night Over the Rhône (1888). Romantic night; city lights on water.
Van Gogh — Self-Portrait (1889). Intense gaze; sculptural brushwork.
Painting #9 — Van Gogh — Self-Portrait (1889). Intense gaze; sculptural brushwork.
Picasso — The Blue Room (1901). Intimate interior from the Blue Period.
Painting #10 — Picasso — The Blue Room (1901). Intimate interior from the Blue Period.
Van Gogh — Restaurant de la Sirène at Asnières (1887). Golden dusk and streetfront motif.
Painting #11 — Van Gogh — Restaurant de la Sirène at Asnières (1887). Golden dusk and streetfront motif.
Picasso — Woman with Straw Hat & Green Background (1939). Dynamic Cubist portrait.
Painting #12 — Picasso — Woman with Straw Hat & Green Background (1939). Dynamic Cubist portrait.
Van Gogh — Irises (1889). Iconic blue blades against green.
Painting #13 — Van Gogh — Irises (1889). Iconic blue blades against green.
Picasso — Harlequin (1915). Melancholic jester, geometric styling.
Painting #14 — Picasso — Harlequin (1915). Melancholic jester, geometric styling.
Van Gogh — Wheatfield with Factories (1888). Rural gold vs. industrial skyline.
Painting #15 — Van Gogh — Wheatfield with Factories (1888). Rural gold vs. industrial skyline.
Van Gogh — Orchard in Blossom (1888). Spring light; delicate bloom.
Painting #16 — Van Gogh — Orchard in Blossom (1888). Spring light; delicate bloom.
Picasso — Self-Portrait (1896). Early academic realism.
Painting #17 — Picasso — Self-Portrait (1896). Early academic realism.
Picasso — Woman in Profile (1896). Intimate, youthful study.
Painting #18 — Picasso — Woman in Profile (1896). Intimate, youthful study.
Van Gogh — Thatched Cottages in Sunshine (1890). Rural idyll; dynamic sky.
Painting #19 — Van Gogh — Thatched Cottages in Sunshine (1890). Rural idyll; dynamic sky.
Van Gogh — Cypresses (1889). Monumental trees, stormy clouds.
Painting #20 — Van Gogh — Cypresses (1889). Monumental trees, stormy clouds.
Van Gogh — Self-Portrait with Straw-Colored Hair (1887). Energetic strokes and contrast.
Painting #21 — Van Gogh — Self-Portrait with Straw-Colored Hair (1887). Energetic strokes and contrast.
Picasso — Abstract Female Portrait (1940s). Vivid blocks with fractured planes.
Painting #22 — Picasso — Abstract Female Portrait (1940s). Vivid blocks with fractured planes.

Drawings

Numbered gallery (#50 works). Duplicates removed.

Mother and Daughter with Umbrella (after Van Gogh) — pencil sketch; sober northern mood.
Drawing #1 — Mother and Daughter with Umbrella (after Van Gogh) — pencil sketch; sober northern mood.
Head of a Man, 24.06.69 (after Picasso) — gouache/ink; mask-like contours in warm tones.
Drawing #2 — Head of a Man, 24.06.69 (after Picasso) — gouache/ink; mask-like contours in warm tones.
Double Portrait with Hat (after Picasso) — watercolor/gouache; symmetrical ‘two-sided’ face.
Drawing #3 — Double Portrait with Hat (after Picasso) — watercolor/gouache; symmetrical ‘two-sided’ face.
Resting Woman in Pink (after Picasso) — gouache; calm figure in a box-like interior.
Drawing #4 — Resting Woman in Pink (after Picasso) — gouache; calm figure in a box-like interior.
Woman in Hat, 27.10.39 (after Picasso) — gouache; spiral eyes, daisy motif.
Drawing #5 — Woman in Hat, 27.10.39 (after Picasso) — gouache; spiral eyes, daisy motif.
Blue Head with Horned Hat (after Picasso) — gouache; cool gray-blues, linear synthesis.
Drawing #6 — Blue Head with Horned Hat (after Picasso) — gouache; cool gray-blues, linear synthesis.
Man with Ruff Collar (after Picasso) — gouache; Golden Age pastiche with lens-like glasses.
Drawing #7 — Man with Ruff Collar (after Picasso) — gouache; Golden Age pastiche with lens-like glasses.
Seated Woman with Cup (after Picasso) — gray gouache; strong contour, ornamental hands.
Drawing #8 — Seated Woman with Cup (after Picasso) — gray gouache; strong contour, ornamental hands.
In the Studio with Model (after Picasso) — ink washes; reportage sketch of an atelier.
Drawing #9 — In the Studio with Model (after Picasso) — ink washes; reportage sketch of an atelier.
Matador with Sun-Child (after Picasso) — crayon/ink; grotesque torero in vivid hues.
Drawing #10 — Matador with Sun-Child (after Picasso) — crayon/ink; grotesque torero in vivid hues.
Bearded Head in Sanguine (after Leonardo) — classic ‘testa ideale’; careful chiaroscuro.
Drawing #11 — Bearded Head in Sanguine (after Leonardo) — classic ‘testa ideale’; careful chiaroscuro.
Studies of Caricatures (after Leonardo) — exaggerated profiles; brisk, nervous line.
Drawing #12 — Studies of Caricatures (after Leonardo) — exaggerated profiles; brisk, nervous line.
Woman with Bird in Blue (after Picasso) — gouache; ultramarine contrasts.
Drawing #13 — Woman with Bird in Blue (after Picasso) — gouache; ultramarine contrasts.
Nude Figure, 03.06.70 (after Picasso) — pastel; fluid contours, intimate tone.
Drawing #14 — Nude Figure, 03.06.70 (after Picasso) — pastel; fluid contours, intimate tone.
Minotaur and Reclining Woman (after Picasso) — pen & ink; rhythmic hatching.
Drawing #15 — Minotaur and Reclining Woman (after Picasso) — pen & ink; rhythmic hatching.
Orchards Behind the Fence (after Van Gogh) — pen; dense mesh of strokes.
Drawing #16 — Orchards Behind the Fence (after Van Gogh) — pen; dense mesh of strokes.
Two Boys Reading/Drawing (after Monet) — graphite; sensitive hands study.
Drawing #17 — Two Boys Reading/Drawing (after Monet) — graphite; sensitive hands study.
Cat in Contour Line (after Picasso) — minimalist gesture drawing.
Drawing #18 — Cat in Contour Line (after Picasso) — minimalist gesture drawing.
Reclining Nude, 17.08.69 (after Picasso) — charcoal; broad outlines.
Drawing #19 — Reclining Nude, 17.08.69 (after Picasso) — charcoal; broad outlines.
Faun in Motion (after Picasso) — gouache/watercolor; swift diagonal energy.
Drawing #20 — Faun in Motion (after Picasso) — gouache/watercolor; swift diagonal energy.
Matador and Lady, Tête-à-tête (after Picasso) — washed ink; ornate costume.
Drawing #21 — Matador and Lady, Tête-à-tête (after Picasso) — washed ink; ornate costume.
Winter Park with Figure (after Van Gogh) — watercolor; ochres and olives.
Drawing #22 — Winter Park with Figure (after Van Gogh) — watercolor; ochres and olives.
Don Quixote on the Hill (after Picasso) — black ink; expressive patches.
Drawing #23 — Don Quixote on the Hill (after Picasso) — black ink; expressive patches.
Woman Lost in Thought (after Picasso) — gouache; classicizing softness.
Drawing #24 — Woman Lost in Thought (after Picasso) — gouache; classicizing softness.
Corrida, 02.12.57 (after Picasso) — quick gouache; bullring momentum.
Drawing #25 — Corrida, 02.12.57 (after Picasso) — quick gouache; bullring momentum.
Bearded Man with Scepter (after Picasso) — gouache; ceremonial frontality.
Drawing #26 — Bearded Man with Scepter (after Picasso) — gouache; ceremonial frontality.
Woman with Sword, 08.11.70 (after Picasso) — gouache; theatrical costume and pearls.
Drawing #27 — Woman with Sword, 08.11.70 (after Picasso) — gouache; theatrical costume and pearls.
Stylized Head in Green (after Picasso) — gouache; sculptural synthesis.
Drawing #28 — Stylized Head in Green (after Picasso) — gouache; sculptural synthesis.
Reclining Figure in Grays (after Picasso) — ink wash; Cubist dissection.
Drawing #29 — Reclining Figure in Grays (after Picasso) — ink wash; Cubist dissection.
Bust with Mask-like Hat (after Picasso) — gouache; cool blues, geometric features.
Drawing #30 — Bust with Mask-like Hat (after Picasso) — gouache; cool blues, geometric features.
Bull and Torero, 10.07.59 (after Picasso) — ink; calligraphic minimalism.
Drawing #31 — Bull and Torero, 10.07.59 (after Picasso) — ink; calligraphic minimalism.
Seated Woman in Green (after Picasso) — gouache; flat fields, rectilinear rhythm.
Drawing #32 — Seated Woman in Green (after Picasso) — gouache; flat fields, rectilinear rhythm.
Woman in Armchair, 28.01.69 (after Picasso) — crayon/gouache; rose/violet accents.
Drawing #33 — Woman in Armchair, 28.01.69 (after Picasso) — crayon/gouache; rose/violet accents.
Nude Between Two Men (after Picasso) — gouache; theatrical lighting.
Drawing #34 — Nude Between Two Men (after Picasso) — gouache; theatrical lighting.
Reclining Nude, single-line (after Picasso, 1959) — minimal linearity.
Drawing #35 — Reclining Nude, single-line (after Picasso, 1959) — minimal linearity.
Windmill with Barn (after Van Gogh) — watercolor; rustic Dutch horizon.
Drawing #36 — Windmill with Barn (after Van Gogh) — watercolor; rustic Dutch horizon.
Rest by the Haystack (after Van Gogh) — pen; dotted/lined rhythm.
Drawing #37 — Rest by the Haystack (after Van Gogh) — pen; dotted/lined rhythm.
Road through the Ravine (after Monet) — colored pencil; brooding textures.
Drawing #38 — Road through the Ravine (after Monet) — colored pencil; brooding textures.
Canal and Warehouses (after Van Gogh) — watercolor; industrial view.
Drawing #39 — Canal and Warehouses (after Van Gogh) — watercolor; industrial view.
Arena with Picadors, 25.05.57 (after Picasso) — ink sketch; vivid tempo.
Drawing #40 — Arena with Picadors, 25.05.57 (after Picasso) — ink sketch; vivid tempo.
Woman in Hat on Yellow Ground (after Picasso) — gouache; enamel-like color.
Drawing #41 — Woman in Hat on Yellow Ground (after Picasso) — gouache; enamel-like color.
Portrait with Pipe, 19.04.70 (after Picasso) — gouache; fractured planes.
Drawing #42 — Portrait with Pipe, 19.04.70 (after Picasso) — gouache; fractured planes.
Cowboy with Drink (after Picasso) — gray gouache; humorous profile.
Drawing #43 — Cowboy with Drink (after Picasso) — gray gouache; humorous profile.
Seated Woman on Blue Ground, 02.07.59 (after Picasso) — gouache; monumental form.
Drawing #44 — Seated Woman on Blue Ground, 02.07.59 (after Picasso) — gouache; monumental form.
Fisherman in Oilskin (after Van Gogh) — graphite; rough texture.
Drawing #45 — Fisherman in Oilskin (after Van Gogh) — graphite; rough texture.
Stone Field Landscape (after Van Gogh) — pen; windswept tufts, distant bird.
Drawing #46 — Stone Field Landscape (after Van Gogh) — pen; windswept tufts, distant bird.
Cypress as Flame (after Van Gogh) — pen; swirling strokes, stormy sky.
Drawing #47 — Cypress as Flame (after Van Gogh) — pen; swirling strokes, stormy sky.
Group of Reclining Figures (classicizing) — brown wash with white heightening.
Drawing #48 — Group of Reclining Figures (classicizing) — brown wash with white heightening.
Artist’s Studio with Reclining Model (after Picasso) — ink wash; gray tonalities.
Drawing #49 — Artist’s Studio with Reclining Model (after Picasso) — ink wash; gray tonalities.
Bullfight Scene with Picadors (after Picasso) — ink sketch; captured moment.
Drawing #50 — Bullfight Scene with Picadors (after Picasso) — ink sketch; captured moment.

Pricing

PlanWeeklyMonthly
1 Painting$275$750
2 Paintings$500$1,250
3 Paintings$700$1,800
6 Paintings$1,250$3,500
Drawing / Work on Paper$85$250
5 Drawings (bundle)$300$700
10 Drawings (bundle)$550$1,500

Contact

Questions, availability, or custom requests? Send us a message.

Or email: iconiccanvasexpose@yahoo.com · Phone: 773‑954‑4493